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![]() No, the club is decidedly not reminding anyone of the SIr Alex Ferguson era in terms of quality, but the pride and strength of will sure look something closer to what we remember from the Red Devils when they were one of the finest teams in the world (and one of most dreaded to compete against over 90 minutes). Harry Maguire a big part of Man Utd’s brave finish vs West Ham ( Man Utd 1-0 West Ham): Erik ten Hag has changed the attitude at Old Trafford. Potter needs time to really train his team and maybe the World Cup break will provide a chance for some of his players to grow into their roles. ![]() Brighton’s further along in its project than Chelsea, and perhaps the result shouldn’t be such a surprise considering the architect of both is the same man. Sure, Roberto De Zerbi has added a wrinkle or two, but the Seagulls weren’t broken when Potter left for London and the Italian coach is just making sure the gears are clicking and the fluids are topped off (so to speak). Chelsea needs a break, Seagulls quite comfortable ( Brighton 4-1 Chelsea) : Brighton still needs a center forward to achieve its potential, but everything else looks as it did under Graham Potter and that’s a good thing. When one of the above changes, maybe Spurs’ performances and results will, too. Yet Conte previously refused to even play him in the Premier League, as he got his first six minutes of the season. The other? The squad is missing a midfield creator ( here and here), though Bryan Gil has shown flashes in recent substitute appearances in the Champions League and did so again on Saturday. One is Antonio Conte’s continued insistence on playing out of the back and defending far too deep in Spurs’ own half of the field (discussed here and here). Tottenham overcomes self-defeating ways in unsustainable ways ( AFC Bournemouth 2-3 Spurs): Two things currently ail Tottenham. Bukayo Saka’s injury is a major concern should it be anything more than a precautionary sub, but Nelson’s scoring joins previous shows from Eddie Nketiah and a soon-to-return Emile Smith-Rowe as a real flex for Arsenal. Arsenal academy boyhood prodigy Reiss Nelson would’ve felt his growth slowed by loan stints to Hoffenheim and Feyenoord, and boy will he - and the rest of the world outside of Nottingham - feel good with his brace off the bench. Feel-good Nelson flexes depth after Saka injury ( Arsenal 5-0 Nottingham Forest): Wrestling fans know about the full nelson and the half-nelson, now football fans can have the feel-good Nelson. *Or, Patrick Bamford finishing a golden scoring chance. Leeds are one of the toughest teams in the PL to beat, and typically those teams see losses turn to draws and draws turn to losses with a bit of patience *. ![]() Making a change now would only be making a change for change’s sake. Comparing Leeds today and Leeds of exactly one year ago, it’s night and day the difference in terms of the consistent quality of performances and the steady improvement of the side from the point at which Marsch took over last season, and again from the start of the current campaign. A draw was the least they deserved, and the victory long overdue. For 90 minutes they were every bit Liverpool’s equals, as they matched the Reds every step of the way. On Saturday, every Leeds player, to a man, backed up those words with actions. Harrison made it clear that the players still believed in Marsch and that they were still working hard for him. He scored a goal against Eintracht Frankfurt and another against Greuther Fürth in the Bundesliga.Forward Fulham flummoxed by Jordan Pickford, Everton 10 things we learned in the Premier League: Week 14ġ. Jesse Marsch unequivocally the right man for Leeds right now ( Liverpool 1-2 Leeds): Past is prologue and Jack Harrison spoke out this week in full support of embattled manager Jesse Marsch on behalf of his Leeds teammates, as calls for a change in manager grew loud enough to be heard. In his last two games, he has been in fine form. And that could involve him asking for a transfer. It would have to be a very different situation for the bosses to look favourably on his departure. What Rolfe says about Schick's future is important because the player has a contract until 2025, which means he is more than assured by his owners. There is interest, but he is a key player in our plans," said the manager to the aforementioned newspaper, which shows that, at an institutional level, the club has no problem in showing its position. Nobody needs to contact us about Patrik, as he will be playing for us next season, that's very clear. He is on the agenda of Newcastle and Barcelona, two clubs that could launch offers when the transfer market opens, but have been warned by statements made by Simon Rolfe, Bayer's sporting director, in 'Bild': t hey will not accept his proposals. Bayer Leverkusen have no intention of selling Patrik Shick this summer. ![]() Repetition of chemical properties of elements at regular intervals when arranged in a definite order is called periodicity of properties. In the modern long form of periodic table the elements are arranged in the increasing order of their atomic numbers and the elements with similar properties repeat after regular intervals. Thus, modern periodic law states that physical and chemical properties of the elements are a periodic function of their atomic numbers. This forms the basis of the Modern periodic law. ![]() On the basis of these similarities Mendeleev proposed his periodic law which states that physical and chemical properties of lementsĪre a periodic function of their atomic masses Moseley suggested that atomic number was a better fundamental property of an element than its atomic mass. ![]() Taking the chemistry of the elements as his primary organising principle, he arranged the known elements by atomic mass and grouped them together according to their chemical reactivity He also observed that there occurred recurrence of elements with similar physical and chemical properties after certain regular intervals. The first break through in the classification of elements, was provided by Russian chemist Dmitri lunovich Mendeleev. The properties of every other element in the same group and even the elements in the neighbouring groups. If you know the properties of any element in a group, or of the columns, of the periodic table, you can make a good guess at The periodic table is the most organising principle in chemistry. This arrangement of elements is called classification of elements and this led to the formulation of a periodic table. Based upon these multiple choice questions are ultimately sucessful in arranging the various elements into groups or chemical families in such a way that similar elements were put together. Based upon these similarities, the scientists after numerous attempts were are given. According to the periodic law of elements, the variation in properties of elements is related to their If you are seeing this message, that means JavaScript has been disabled on your browser, please enable JS to make this app work.Ģ.0 K Although every element is different from every other element, yet some elements have certain similarities. The nature of the block to which an element belongs depends upon the type of subshell which receives the last electron. The long form of periodic table may be divided into four main blocks known as s, p, d and f blocks depending upon the type of orbitals being filled up with the increase in atomic number in atoms of the elements. This is due the recurrence of similar outer electronic configuration at certain regular intervals. ![]() On the basis of these similarities Mendeleev proposed his periodic law which states that physical and chemical properties of lements are a periodic function of their atomic masses Moseley suggested that atomic number was a better fundamental property of an element than its atomic mass. If you know the properties of any element in a group, or of the columns, of the periodic table, you can make a good guess at the properties of every other element in the same group and even the elements in the neighbouring groups. Although every element is different from every other element, yet some elements have certain similarities. The sample file names call out the note for the sample. Here is a great collection of 500 free kick samples made by Markus Hakala and compiled by How to Make Electronic. But rather than going through this process, it makes more sense to use a pre-tuned sample. The technique outlined above works well for samples that we don’t know the pitch of. Everything checks out! For this specific kick, you’d want to match it with G in your bassline, or use an overall scale that contains G. We can see that the pitch determined by Edison is the same as the pitch in the sample file name. This kick coincides with the G2 note, or 98 Hz. Edison will automatically identify what note your kick falls on. Right-click on the sample waveform in Edison, go to Regions, and click Detect pitch regions. This will open the kick sample in Edison. Right-click on the kick in the browser and click Edit in audio editor. Step 1: Find a Kick in Your Browser Step 2: Edit In Audio Editor Your kick has a pitch too! Your bassline and kick will sound much better together when they are at or near the same frequency, or at least part of the same scale. Check the FL Studio feature comparison page on the Image-Line website for more details. Edison is included in FL Studio Producer Edition and up. Note: You will need Edison for this method to work. Remember, the goal of this is to pick samples with a note that fits our scale, or to change their pitch to match a note in our scale. But finding the pitch or note of a sample is a little less obvious. Just open the Piano roll and you can see everything laid out there. Finding your instruments pitch/notes is usually pretty easy. With an awareness of the pitch of our samples, we can then make better sample choices to match what scale we are using.Ī general rule of thumb is to choose a scale for your track and use it as a guide for which notes to use. For instance, note B4 has a frequency of 493.883 Hz, and note D6 is 1174.66 Hz. Music theory says that the notes on our keyboard all represent different frequencies and pitches with certain mathematical relationships that define them. ![]() ![]() To drill down even more, it’s good to know what notes your instruments and samples coincide with. This helps to create balance in your mix and will make your track sound better overall. i'm a newcomer to trackers and music softwares in general, and i was wondering if any of y'all could give me an advice on where i could find some neat sample packs to use in milkytracker and how to use them. Part of our goal when mixing is to make sure there is enough room in the frequency spectrum for each instrument and sample at any given time. Having an awareness of the spectral content and frequencies present in each instrument and sample you use in your track can be very powerful. How to Find a Sample’s Pitch in FL Studio How to Find a Sample’s Pitch in FL Studio. ![]() The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward to California. The song is the story of two drifters, the narrator and Bobby McGee. He explained that he was trying to convey the despair of the last scene of Federico Fellini’s La Strada in which a broken, war-torn, inebriated man (played by Anthony Quinn) stares up from the beach at the night's stars, and breaks down sobbing. The titular character was named for a studio secretary, Barbara "Bobbie" McKee, but Kristofferson had misheard her surname. ![]() ![]() The suggestion for the title was a cordial challenge from producer and Monument Records founder Fred Foster to Kris Kristofferson. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance On Me." Billboard ranked Joplin's version as the No. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. chart history after " (Sittin' On) The Dock of the Bay" by Otis Redding. singles chart in 1971, making the song the second posthumously released No. A posthumously released version by Janis Joplin topped the U.S. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. " Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. ![]() ![]() The find the last parts near a Sand Worm colony, the Queen Sand Worm steal the parts and must be killed to claim the part. They must find the needed parts from Shanks 'friends' to repair the vehicle. He tells them they need a Sand Skiff to reach her, He lends them his but it suddenly brakes down. He tells them to find Captain Scarlett who also has an interest in the treasure and of course plans to double-cross the Vault Hunters after they find the treasure. After dealing with the pirates, the Vault Hunters meet Shade who, being deranged due to the drought and his loneliness using the corpses of the other townsfolk as company. They find the town being pillaged by Sand Pirates who are trying to steal the town's remaining water. ![]() The Vault Hunters, having been notified of a secret treasure, travel to Oasis, a small ocean side town that suffered the same affects as the Parched Fathoms from the first game. The story begins with Marcus telling another story to an orphan boy about the Treasure of the Sands. Legends speak of Captain Blade's Lost Treasure of the Sands, of a prize so great that men would turn the sands red in pursuit of it of a pirate queen, courageous and deadly, who would stop at nothing to find it of a monstrous Leviathan of the Vault Hunters who journeyed to the desert town of Oasis, not knowing the horrors that would befall them. StoryĪs spoken by Marcus Kincaid at the start of the DLC: Prices are subject to seasonal changes and sales. Priced at $7.99 USD/$14.40 AUS in the In-game store.Īll prices are base listings. and as I placed it there, I was gravely disappointed that I did not encounter the Mad King himself, being so near his lair. Kill 100 enemies that are afflicted by both Locust Swarm and Haunt.Harvest 15 enemies simultaneously (10 times).Kill 435 Monsters without taking fatal damage.Show in original size Objectives in the Set Dungeon of Raiment of the Jade Harvester Set Dungeon of Raiment of the Jade Harvester Kill every Elite (5) while it is webbed by a Spider Queen and being bitten by Piranhas at the same time.Lick 30 different enemies with a Toad of Hugeness.Kill 105 Monsters without taking fatal damage.Objectives in the Set Dungeon of the Spirit of Arachyr Starting at the waypoint move south-west to the edge of the map and you'll eventually find the Portal. Brother Draves" (tome of set dungeons, page 101)ĭirection: When reading "Oasis" the experienced player immidiately flashbacks the Dahlgur Oasis and that is actually the area where to search for the Set Dungeon of the Spirit of Arachyr. Hint: " Alliance of the Dying Sun, as per my instructions, it is hidden in a shallow oasis pool to the southwest, where man has altered the water's flow. ![]() Slow 45 different enemies with Shadow Powerĭiablo 3 Set Portal Guides for the Witcher Doctorĭiablo 3 Witch Doctor Set Dungeon Guide "Spirit of Arachyr"ĭiablo 3 Witch Doctor Set Dungeon Guide "Helltooth Harness"ĭiablo 3 Witch Doctor Set Dungeon Guide "Raiment of the Jade Harvester"ĭiablo 3 Witch Doctor Set Dungeon Guide "Zunimassa's Haunt" Set Portal of the Spirit of Arachyr.Chain bonus damage Impale hits on 20 consecutive enemies (5 times).Kill 122 monsters without taking fatal damage.Objectives in the Set Dungeon of the Shadows Mantle Shortly before you eventually reach his room, the Set Dungeon opens up. Brother Lyam" (tome of the set dungeons, page 63)Īrea: Act V - Pandemonium Fortress Level 3ĭirection: Starting at the waypoint aim the domicile of Malthael. Hint: " Alliance of the Dying Sun, The way was more difficult than we had imagined, but I have placed and opened the portal on the pathway to the Heart of the Fortress. Do not allow any enemies into melee range.Keep a minimum of 3 Sentries active for the duration of the dungeon.Kill 116 monsters without taking fatal damage.Show in original size Objectives in the Set of the Marauder There are wings for mastering the normal challenges and there are wings for mastering ALL challenges within the set portals in Diablo 3. They only have a visual effect and won't touch the gameplay or grant any other advantages. Wings: Whoever masters all quests in all 24 set dungeons, is rewarded with new wings that characters can wear. So all in all, there are 12 banners to earn, 6 normal ones and 6 master banners. There are some standard challenges that will grant you a less valuable banner, if you manage to master just those. ![]() ![]() Just the challenges fail, but of course you can try again, if you restart the set dungeon.F Wings and banners: The Diablo 3 set dungeon rewardsīanners: If one master all the challenges within a set dungeons in Diablo 3: Reaper of Souls for a specific class, he will be granted a special banner. The difficulty level of the game is ignored by set portals, the minions within those portals are always of same strength and health and always grant the same amount of experience.ĭiablo 3 hardcore characters do NOT die a permanent death within the set portals, if their life is reduced to 0. Set dungeons are built the same way every time, same goes to the challenges, that the player has to master within each portal. It's enough to have the ring of royal grandeur activated within Kanais Cube. As soon as the player confronts the obelisk at the entrance to a set dungeon, and that player has an active 6-set-bonus, the dungeon is ready to enter. The ring of royal grandeur, which can be found in the horadric caches in Act 1 and which reduces the amounts of necessary set-items for the set-bonusses by one, works along with the set portals. Diablo 3 Patch 2.4 ramped up some sets, so they contain 6 pieces now. Overall there are 24 set portals in Diablo 3, just accessible by characters wearing 6 pieces of a class set. Set dungeons are special places that can be accessed wire set portals, which are found all over Sanctuary. Set dungeons were introduced by Blizzard with Diablo 3: Reaper of Souls Patch 2.4 and provide a nice challenge for demon hunters, witch doctors, wizard, crusaders, barbarians and monks. General information about Set Dungeons General information about set portals in Diablo 3: RoS ![]() I have no idea what any of that means or is in reference to, all I know is that my DVD did not Burn successfully and it is yet another program that hasn't worked. The dvdauthor list) containing the above output. ![]() Problem, and please file a bug report at (_not_ See if anything in the above output helps you diagnose the Makedvd encountered an error during the DVD creation process: dev/sr0: engaging DVD-R DAO upon user request. I: -input-charset not specified, using utf-8 (detected in locale settings)Ġ.62% done, estimate finish Wed Nov 11 16:17:27 2009ġ.23% done, estimate finish Wed Nov 11 16:16:06 2009ġ.84% done, estimate finish Wed Nov 11 16:15:39 2009 Growisofs -use-the-force-luke=dao -dvd-compat -Z /dev/sr0 -dvd-video -V "UNTITLED_DISC" "/tmp/Untitled_disc"Įxecuting 'genisoimage -dvd-video -V UNTITLED_DISC /tmp/Untitled_disc | builtin_dd of=/dev/sr0 obs=32k seek=0' INFO: Scanning /tmp/Untitled_disc/VIDEO_TS/VTS_01_0.IFOīurning with growisofs 7.1 using the following command: INFO: dvdauthor creating table of contents Continues like this for a few pages worth of text. STAT: Processing /tmp/Untitled_menu_1.mpg. ![]() Running command: makedvd -quiet -author -burn -device /dev/sr0 /tmp/Untitled_disc.xmlĪ script to create a DVD-Video file structure and burn it to DVDĪuthoring disc from file: /tmp/Untitled_disc.xmlĬreating disc structure with the following command:īuild options: gnugetopt magick iconv freetype Makedvd -quiet -author -burn -device /dev/sr0 /tmp/Untitled_disc.xml I am using Ubuntu Intrepid Ibex the most recent kernel.(As of this post) A bug? Or something I mistyped somewhere? Create jumppads? Running version 2.7.2 WinXP SP2.I have been trying at this for several days now, and have road block, after road block, after road block, I have browsed the forum for previously answered topics, and nothing I have found has helped significantly. But if the user specifies that he'd like to go to the Root menu, that the DVD does jump to the menu that has been designated a "Root Menu". I would like that this command is still there for when the movie ends and your last visit was a chapter menu. This Root problem, however, would it have something to do with that the movie's post command says "call last menu "? I would think that this post command was only meant for when the movie was over, not for when you interrupt it. Wish I could set 2 so that the highlight will land on the correct frame as well, but realized the hard way that was not possible. This is so that when someone presses Chapter it will navigate to the correct "page" of chapters. I'm guessing it has something to do with that I'm setting a g value for each chapter. It is just the Root.Īlso, the Pioneer DVD Player seems to get a hiccup between chapters. Pressing Chapter will take me to the chapter menu and pressing Subtitles will take me to the subtitle menu. If the last menu was a vmgm chapter menu, pressing Root will jump me to that chapter menu. If the last menu was a vmgm transition menu (3 seconds, 1 time play, post commands), pressing Root will jump me to that transition menu (and back to the movie). The DVD seems to work, plays ok, but if I press Disc Menu/Root Menu it jumps me back to the Last Menu Played. Tried with VLC, Media Player Classic, and a Pioneer DVD Player. However, there still seems to be a problem. I solved some of it by changing all menus that didn't have a special entry (Root/Subs/Chap) to being VMGM Menus. That was solved, but then was having problems jumping to the correct menu when navigating to the Root Menu. In another topic I was having problems with chapters not being counted properly. ![]() ![]() The speech function helps provide the correct pronunciation. Definitions include synonyms and antonyms which allows the dictionary to also serve as a thesaurus. Wildcard characters can be used to help with word games like crosswords and scrabble where only some of the letters are known, or you have to find an anagram, or with spelling. Then you can follow the links in the definition page to get more word definitions. As you type, Dictionary homes in on the word you are looking for. The home page contains a randomly selected word cloud which will pique your curiosity and help you improve your vocabulary, while the search box allows you to find specific words easily. The dictionary definitions are stored locally, and because it's ad-free there's no need for a network connection. Dictionary is ideal for both native English speakers and English learners or people studying the English language. ![]() Support can be found on twitter facebook () or email love the reviews, it helps us to make the app better, however if you have any problems, please contact us prior to negative reviews, we might be able to help.ĭictionary is a free offline English dictionary containing over 200,000 words and definitions and no ads. Only able to remote control the Web Interface Watch one video per day (as many times or as much as you like, but just the one) Pin your favourite collections to the start menu Set your lock screen based on one of your own collections Remote control other Emby players (like Emby Classic) In order to use Emby, you need to have installed the Emby server from and have it configured. Emby is a way of browsing your own media collection, whether it be movies, tv or music, Emby will allow you to watch or listen to them on your Windows Phone or play them on another compatible Emby client. ![]() REAKTOR 6 now comes at a new, reduced price, making it the most cost effective entry into custom device building to date. REAKTOR 6 also introduces a major development in Blocks, a set of diverse modules allowing users to create custom synths in the same way a modular synthesizer is patched. Reaktor 6 is a phenomenal update that improves on NI's already amazing softwarein practically every area, from the Table Framework-enhanced fundamentals to the re-organised library, smart visuals, and, of course, the incredibly exciting Blocks.īack in our Reaktor 5 review, we noted that its £380 RRP could intimidate the newcomer, but at the ridiculously reasonable 2015 price of £169, Reaktor 6 is a must-buy for any self-respecting computer musician who's able to negotiate a bit of a learning curve.Featuring best-in-class DSP and sound quality, REAKTOR 6 delivers major innovations for instrument builders as well as being the most approachable version of the software for anyone interested in deep sound experimentation. The potential here is staggering, and we can't wait to see what the Reaktor community will come up with. What's more, the supplied Blocks (plus nine ensembles fashioned from them) are just the tip of the iceberg, as NI provides templates for creating your own Blocks, which can be shared in the Reaktor User Library. The various oscillators and filters sound utterly fantastic, and if you're after analogue-style sounds in your DAW, Reaktor 6 is among the best - very possibly the best - we've heard to date, with unmatchable flexibility. The remaining folders are Boutique (two oscillators and a filter based on unspecified classic synth hardware), Modern (comb and smooth low-pass filters), Digilog (a couple of sequencing tools), and Util (eight utilities - mixing, metering and CV processing tools). Some of the other folders feature specific elements culled from NI's catalogue: specifically, the filter, envelope and oscillator from their Monark Minimoog emulation, the delay and reverb from Rounds, and the awesome Driver distortion/filter. These are all self-explanatory apart from the Control Voltage Processor, which is a signal shaping tool with Level, Offset and Slew controls, plus Linear/ Exponential and Rectification/Clipping shaping settings - perfect for making modulators more expressive and introducing richer harmonics to voiced signals. The first of these folders is Bento Box, which features nine general-purpose components: Osc, SVF, VCA, Mix, Env, LFO, S&H, 8 Steps and CVP. Out of the box, you get 30 prefabricated Blocks divided into eight folders. ![]() What's more, with a CV-capable interface (such as Expert Sleepers' ES-6 or MOTU's 828 MkII), it's even possible to use Reaktor in conjunction with your hardware Eurorack system! Combining hardware and software modular systems like this will be worth the price of admission alone for modular enthusiasts - but what's in it for the rest of us? Glory box ![]() Part of the Blocks specification is that they use audio rather than control signals for all input and output, giving total freedom when it comes to signal routing between them, much like u-he's ACE and Bazille synths. While new users will likely find the learning curve steep (there's no walkthrough in the Blocks manual, although NI's well-hidden Reaktor Community Learning Resources page has some helpful videos), it's easy enough to start making your own Instruments once you've got the hang of patching Blocks together in the Structure view. "Out of the box, you get 30 prefabricated Blocks divided into eight folders." It feels like NI has missed a trick in terms of potentially making Reaktor more accessible to casual synthesists, though - the addition of virtual cables in the Panel view (where the final Instrument interface is displayed) would have made everything much more immediate and user-friendly. They work just like regular instruments, patched up in Reaktor's Structure view just like everything else in the software. If you're familiar with Reaktor, getting to grips with Blocks isn't too tricky. Perhaps unsurprisingly, their focus has been on explaining how Blocks make Reaktor 6 akin to having an enormous modular analogue synth in your laptop - more on that later. NI certainly hasn't gone out of its way to make it clear what Blocks actually are, nor that they're only capable of delivering monophonic results thanks to Reaktor's current inability to send polyphonic information between Instruments. "The main thing that Reaktor 6 adds to the mix is the modular hardware-like Blocks." These aren't a new hierarchy strata like Core was rather, they're an Instrument specification - a sort of equivalent of Doepfer's A-100 (more commonly known as Eurorack) hardware spec. The main thing that Reaktor 6 adds to the mix is the modular hardware-like Blocks. |
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